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RIFLESSO

Performance art, 2023-present

Artistic research

RIFLESSO is the performative research of HOLYDAVID. This project, rooted in the deep traditions of the drag and queer worlds, is distinguished by its ability to transform the stage into a space of complete expressive freedom and identity reflection, allowing spectators the opportunity to come into complete physical and concrete contact with their own reflection, the site of projections of their own selves.

THEMES

THE SELF, IDENTITY, FLUIDITY AND SACREDNESS OF THE SELF

LINE OF RESEARCH

BY GIVING A PHYSICAL BODY TO HIS OWN REFLECTION, HOLYDAVID TRIGGERS A PSYCHOLOGICAL AND BEHAVIORAL SHORT-CIRCUIT. ONE'S IDENTITY AND SELF, USUALLY RELEGATED TO THE WORLD OF THE MIND AND MENTAL IMAGES, BECOMES AN EXTERNAL BODY THAT ONE CAN TOUCH, EMBRACE, AND REJECT.

INSPIRATION

TEORIA QUEER DELL'IDENTITÀ, MINDFUL INTERBEING MIRROR THERAPY, MONDO DRAG, LONG ENDURANCE PERFORMANCE

FOUNDATIONAL QUESTIONS

DO WE REALLY HAVE A PHYSICAL PERCEPTION OF WHO WE ARE? WHAT IF WE COULD PHYSICALLY INTERACT WITH OUR REFLECTION? CAN WE ENTER INTO PHYSICAL INTIMACY WITH OURSELVES AS WE ARE, WITHOUT AVATARS OR ADDITIONAL LAYERS?

What they say about riflesso

The risk of basing a performance on audience interaction is considerable,

but HOLYDAVID's theme and approach inspired us greatly. In our

opinion, the work has great potential for development, and the underlying

concept is very rich and deep. The performance was very well received by

the people present, and the version was adapted to our space. We could

see the great sensitivity and care with which the presentation was

calibrated, the combination of action and music gave a sense of care and

tranquility.

- andrea deanesi, ACTOR + VOCAL COACH & NATASCIA BELSITO, Dancer + choreographer

What they say about riflesso

That real non-place becomes concrete. It takes shape. That virtual self

embodied in the almost Kafkaesque guise of a glamorous cockroach,

no longer lying on the armor of its back but erect on fetish heels and with

legs transformed into tentacle-length phalanges, is the mirror of our

metaverse being. No female. No male. No gender. Classifying

boundaries crumble to initiate, or rather to begin our visions to a future

without stain, absent of guilt wielded by cultural dogmas. We are as we

are. But are we afraid of it? The dances open. Mirroring invokes

Dionysus in his reflected image of dual being. Without fear of darkness we

can access that altar on which the neon light illuminates our way to that

goal...without making us forget that there we will find another threshold to

look out on.

- BARBARA CAPPELLO, PRESIDENT ITALIAN FEDERATION OF ARTISTS SEZ. TRENTO - BOLZANO

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